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Threads of Resistance: How the Women of Gee’s Bend Saved Their Community One Quilt at a Time

Writer's picture: ColorBloc MagazineColorBloc Magazine

Quilts by Mary Lee Bendolph
Quilts by Mary Lee Bendolph

A Legacy Stitched in Time


In the quiet corners of history, where resilience and artistry intersect, the women of Gee’s Bend, Alabama, created more than quilts—they stitched together a legacy of survival, resistance, and self-determination. Their patchwork masterpieces, made from worn-out clothing and leftover fabric, were more than just blankets; they were records of struggle, identity, and perseverance.


I first learned about the Gee’s Bend quilts as a passing mention in a documentary, but the more I dug into their history, the more I realized these weren’t just pieces of fabric—they were living artifacts of Black resilience. The women who made them weren’t just artists; they were activists. Their stitches told a story of survival in a segregated South, where even the most basic rights were denied. And yet, through their craft, they found a way to fight back, to create something lasting in a world that tried to erase them.


Photographed by Arthur Rothstein. 1937
Photographed by Arthur Rothstein. 1937

Gee’s Bend is a small, rural community in Alabama, nestled within a deep bend of the Alabama River. It was once a cotton plantation, where enslaved Africans were forced to labor under the Pettway family. After emancipation, many of these formerly enslaved people remained, becoming sharecroppers and later landowners. But life in Gee’s Bend was far from easy—cut off from major roads and towns, the people of Gee’s Bend lived in extreme poverty, often relying on one another for survival.


Courtesy of the Library of Congress
Courtesy of the Library of Congress

Through these hardships, quilting became an essential part of daily life. Without access to store-bought goods, women used whatever materials they had—old work clothes, flour sacks, and discarded fabric—to piece together quilts that would keep their families warm. But over time, these quilts became more than just necessities; they became artistic expressions of the women’s lives, experiences, and cultural heritage.


Nettie Young, “H” Variation (Quiltmaker’s Name: “Milky Way”), 1971. Photo by Stephen Pitkin
Nettie Young, “H” Variation (Quiltmaker’s Name: “Milky Way”), 1971. Photo by Stephen Pitkin


The Civil Rights Movement and the Economic Power of Quilting


By the 1960s, the Civil Rights Movement was sweeping across the South, but in Gee’s Bend, economic oppression was used as a weapon to suppress Black progress. When residents attempted to register to vote, local white authorities retaliated by cutting off the ferry that connected Gee’s Bend to the outside world. Suddenly, a journey that once took minutes became a grueling, hours-long trip, isolating the community even further.


But the women of Gee’s Bend refused to be defeated. Instead, they turned their quilting tradition into a means of survival. With the help of Civil Rights activists, their quilts were introduced to the wider world as high art—featured in museums, galleries, and exhibitions across the country. Sales from these quilts provided financial independence for many of the women, breaking cycles of poverty and empowering them in ways they had never imagined.


The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 Dec. 2020 – 6 Feb. 2021.
The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 Dec. 2020 – 6 Feb. 2021.


The Artistic Legacy of Gee’s Bend Quilts


What makes the quilts of Gee’s Bend so extraordinary is their distinct aesthetic. Unlike the rigid, symmetrical patterns of traditional quilting, Gee’s Bend quilts are bold, improvisational, and deeply personal. They reflect the spontaneity of jazz, the storytelling of oral tradition, and the unbreakable spirit of Black folk art.


The women didn’t follow traditional patterns; instead, they created freely, working with the fabric they had rather than conforming to expected styles. Their quilts defied the norms of American quilting, drawing comparisons to modern abstract art. In fact, their work has been displayed in institutions like the Whitney Museum of American Art and the National Gallery of Art, where it stands alongside some of the most celebrated works in American history.


Quilting with Mame McCutchin from Artland, USA. Gee's Bend, 2007
Quilting with Mame McCutchin from Artland, USA. Gee's Bend, 2007

What These Quilts Teach Us Today


When I think about the quilts of Gee’s Bend, I don’t just see fabric—I see a blueprint for resilience. These women took scraps—what others considered useless—and transformed them into something lasting and beautiful. In many ways, their work is a metaphor for the Black experience in America: taking what was meant to be discarded and turning it into something powerful, something undeniable.


As an artist, I see reflections of their process in my own work. Their resourcefulness, their refusal to conform, their ability to make something out of nothing—these are principles that transcend quilting and apply to every creative field. Their story reminds me that art is not just about self-expression; it’s about survival, about taking ownership of your narrative, about finding beauty in struggle.


The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 Dec. 2020 – 6 Feb. 2021.
The Gee’s Bend Quiltmakers, installation view, Alison Jacques Gallery, London, 2 Dec. 2020 – 6 Feb. 2021.


Honoring Their Legacy


The women of Gee’s Bend may not have set out to change history, but through their quilts, they did. They turned an everyday necessity into an enduring symbol of Black creativity, resistance, and economic empowerment. Their legacy continues to inspire new generations of artists, reminding us that sometimes, the most powerful statements aren’t spoken or written—they’re stitched, piece by piece, into the fabric of our history.


As we celebrate Black History Month, let’s not just admire these quilts from a distance—let’s understand the strength, the defiance, and the brilliance woven into each one. Let’s honor the women of Gee’s Bend not just as quilters, but as architects of change, whose hands pieced together not just fabric, but a future.

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